The Film
A personal search becomes
a larger reckoning.
Finding Harding: Lost at Shore is a feature documentary about the search for a former Navy shipmate who disappeared from contact after leaving Active Duty — and the larger disappearance many Veterans face when the structure, identity, and belonging of military life are gone.
The project is now in active production, with original interviews, aerial footage, and field material. The next phase is focused on deepening the story and building the work toward the completed feature.
I’m looking for Tyler Harding.
We served together. We knew each other in the structured world of the Navy — a world where identity was issued, reinforced, and understood.
After Active Duty, Harding disappeared from contact.
How many Veterans are still here — but no longer feel belonging?
Veterans do not just leave the military.
They leave a version of themselves.
Service can become identity.
Rank tells you where you stand.
Mission tells you why you matter.
Command tells you where you belong.
Separation can remove all three at once.
For many Veterans, the hardest part is not finding a job.
It is finding a self.
What the film
explores
Tone & Style
Cinematic. Intimate. Unresolved.
The film blends first-person documentary, personal investigation, participant-led interviews, archival material, observational scenes, and reflective narration.
The camera stays close to silence: pauses, empty rooms, unread messages, old memories, and places where people once belonged.
…a slow-burning RECKONING...
Help move the
film forward
Your gift supports the filming, research, editing, and production work that will bring Finding Harding: Lost at Shore to the screen. Make a tax-deductible contribution through IDA.
Finding Harding: Lost at Shore is a fiscally sponsored project of the International Documentary Association (IDA), 501(c)(3) nonprofit arts organization. Contributions in support of Finding Harding: Lost at Shore are payable to IDA and are tax deductible as allowed by law.
Finding Harding: Lost at Shore is independently produced and is not produced, owned, or editorially controlled by IDA.